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When I started my IMDb Project I knew I had plenty to learn about the history of film and I knew I had plenty of people to discover, both in front of the camera and behind it. I discovered when watching Gone With the Wind for that project that one of the most glaring gaps in my cinematic knowledge was the King of Hollywood, Clark Gable.
I've really enjoyed catching up with his work and I'm now over fifty Gable films in so I'm far from the novice I was. His most notable part as Rhett Butler was my first experience of his work and while I can't say I became a huge fan until much later, he was certainly the best thing about the film to me. Now I've seen enough to find plenty of favourites from each of the many recognisable periods in his career.
He made an abortive early attempt to break into Hollywood in the silent era, appearing in twelve films between 1924 and 1926, though I couldn't even find him in the only one I've seen thus far, Ben-Hur: A Tale of the Christ. He came back for another try in 1931 after sound had taken over and made no less than thirteen films that first year, including his breakthrough role as a bad guy slapping Norma Shearer in A Free Soul.
He helped to change the face of the romantic male lead by losing the vulnerability and adding a serious sense of danger. From then on he could do little wrong, progressing quickly to roles opposite people of the stature of Greta Garbo in Susan Lenox: Her Fall and Rise.
His most notable obvious precode came a year later with the sultry Red Dust, featuring some great sultry scenes with both Mary Astor and regular leading lady Jean Harlow. There were other regulars in his films too, such as Spencer Tracy, Myrna Loy and Lana Turner.
His next absolute classic though was the film that swept the Oscars in 1934, It Happened One Night, including one for Gable. From then on he was the man for at least the rest of the decade. The ones to watch first are probably Manhattan Melodrama, Mutiny on the Bounty, San Francisco, Test Pilot, Gone With the Wind and Honky Tonk. There are plenty of sixes and sevens on this list to work through after that to keep you busy for quite some time. Most of these films could be described as romantic comedies, with a few that are one without the other. As well as Gable could play a fast talking reporter, he almost always had to be the romantic lead too.
There are a few movies to avoid unless you're aiming to be a completist. The worst of the worst is Strange Interlude, possibly the worst film from the first half of the century I've seen thus far. It works with the concept that we hear the thoughts of the characters while they look pensively off at an angle. It's a failed concept and it's as awful as it sounds. Parnell suffers from horrendous miscasting as well as having almost nothing to do with the character it purports to be the biography of. Chained and Somewhere I'll Find You are also notable failures, and there are a whole bunch of merely OK films in this list too.
I'm missing Gable's later movies more than any other period except his silents. However he certainly tended towards more serious roles by the late forties and except for a stunningly average couple of years in the early fifties, everything postwar is worth seeing. Finally his last movie saw him hold his own against such heavyweight actors as Montgomery Clift, Thelma Ritter and a scene stealing Marilyn Monroe. Both The Misfits and his performance in it were a worthy finale to his career.
Rating System | 1 - Abysmal | 2 - Bad | 3 - Poor | 4 - OK | 5 - Good | 6 - Excellent | 7 - Classic
Reviews | AL - Apocalypse Later | IP - The IMDb Project | CR - Capsule Reviews
Title |
Year |
H |
D |
Director |
IMDb |
Review |
Leading Lady |
Fighting Blood |
1923 |
Malcolm St Clair |
(unknown) |
||||
White Man |
1924 |
Louis J Gasnier |
Alice Joyce |
||||
Forbidden Paradise |
1924 |
Ernst Lubitsch |
Pola Negri |
||||
The Pacemakers |
1925 |
Wesley Ruggles |
(unknown) |
||||
Declassée |
1925 |
Robert G Vignola |
(unknown) |
||||
The Merry Kiddo |
1925 |
Wesley Ruggles |
(unknown) |
||||
What Price Gloria? |
1925 |
Wesley Ruggles |
(unknown) |
||||
The Merry Widow |
1925 |
Erich von Stroheim |
Mae Murray |
||||
The Plastic Age |
1925 |
Wesley Ruggless |
Clara Bow |
||||
North Star |
1925 |
Paul Powell |
Virginia Lee Corbin |
||||
Ben-Hur: A Tale of the Christ |
1925 |
7 |
Fred Niblo |
||||
The Johnstown Flood |
1925 |
Irving Cummings |
Florence Gilbert |
||||
One Minute to Play |
1926 |
Sam Wood |
Mary McAllister |
||||
Du Barry, Woman of Passion |
1930 |
Sam Taylor |
Norma Talmadge |
||||
The Painted Desert |
1931 |
Howard Higgin |
Helen Twelvetrees |
||||
The Easiest Way |
1931 |
5 |
Jack Conway |
Constance Bennett |
|||
Dance, Fools, Dance |
1931 |
5 |
Harry Beaumont |
Joan Crawford |
|||
The Front Page |
1931 |
6 |
Lewis Milestone |
Mary Brian |
|||
The Secret Six |
1931 |
4 |
George Hill |
Jean Harlow |
|||
The Finger Points |
1931 |
3 |
John Francis Dillon |
Fay Wray |
|||
Laughing Sinners |
1931 |
Harry Beaumont |
Joan Crawford |
||||
A Free Soul |
1931 |
7 |
Clarence Brown |
Norma Shearer |
|||
Night Nurse |
1931 |
4 |
4 |
William A Wellman |
Barbara Stanwyck, Joan Blondell |
||
Sporting Blood |
1931 |
6 |
Charles Brabin |
Madge Evans |
|||
Susan Lenox: Her Fall and Rise |
1931 |
4 |
Robert Z Leonard |
Greta Garbo |
|||
Possessed |
1931 |
6 |
Clarence Brown |
Joan Crawford |
|||
Hell Divers |
1931 |
George W Hill |
Dorothy Jordan |
||||
Polly of the Circus |
1932 |
Alfred Santell |
Marion Davies |
||||
Red Dust |
1932 |
6 |
6 |
Victor Fleming |
Jean Harlow, Mary Astor |
||
Strange Interlude |
1932 |
1 |
1 |
Robert Z Leonard |
Norma Shearer |
||
No Man of Her Own |
1932 |
5 |
5 |
Wesley Ruggles |
Carole Lombard |
||
The White Sister |
1933 |
4 |
Victor Fleming |
Helen Hayes |
|||
Hold Your Man |
1933 |
5 |
Sam Wood |
Jean Harlow |
|||
Night Flight |
1933 |
Clarence Brown |
Helen Hayes |
||||
Dancing Lady |
1933 |
4 |
Robert Z Leonard |
Joan Crawford |
|||
It Happened One Night |
1934 |
7 |
7 |
Frank Capra |
Claudette Colbert |
||
Men in White |
1934 |
4 |
Richard Boleslawski |
Myrna Loy |
|||
Manhattan Melodrama |
1934 |
7 |
W S Van Dyke |
Myrna Loy |
|||
Chained |
1934 |
3 |
Clarence Brown |
Joan Crawford |
|||
Forsaking All Others |
1934 |
4 |
W S Van Dyke |
Joan Crawford |
|||
After Office Hours |
1935 |
6 |
6 |
Robert Z Leonard |
Constance Bennett |
||
The Call of the Wild |
1935 |
William A Wellman |
Loretta Young |
||||
China Seas |
1935 |
6 |
Tay Garnett |
Jean Harlow, Rosalind Russell |
|||
Mutiny on the Bounty |
1935 |
7 |
7 |
Frank Lloyd |
Movita |
||
Wife vs Secretary |
1936 |
6 |
Clarence Brown |
Jean Harlow, Myrna Loy |
|||
San Francisco |
1936 |
6 |
W S Van Dyke |
Jeanette MacDonald |
|||
Cain and Mabel |
1936 |
4 |
Lloyd Bacon |
Marion Davies |
|||
Love on the Run |
1936 |
5 |
W S Van Dyke |
Joan Crawford |
|||
Parnell |
1937 |
2 |
John M Stahl |
Myrna Loy |
|||
Saratoga |
1937 |
7 |
Jack Conway |
Jean Harlow |
|||
Test Pilot |
1938 |
7 |
Victor Fleming |
Myrna Loy |
|||
Too Hot to Handle |
1938 |
6 |
Jack Conway |
Myrna Loy |
|||
Idiot's Delight |
1939 |
5 |
Clarence Brown |
Norma Shearer |
|||
Gone With the Wind |
1939 |
6 |
6 |
Victor Fleming |
Vivien Leigh |
||
Strange Cargo |
1940 |
5 |
4 |
Frank Borzage |
Joan Crawford |
||
Boom Town |
1940 |
6 |
Jack Conway |
Claudette Colbert, Hedy Lamarr |
|||
Comrade X |
1940 |
4 |
King Vidor |
Hedy Lamarr |
|||
They Met in Bombay |
1941 |
6 |
7 |
Clarence Brown |
Rosalind Russell |
||
Honky Tonk |
1941 |
7 |
Jack Conway |
Lana Turner |
|||
Somewhere I'll Find You |
1942 |
3 |
Wesley Ruggles |
Lana Turner |
|||
Adventure |
1945 |
3 |
Victor Fleming |
Greer Garson |
|||
The Hucksters |
1947 |
6 |
Jack Conway |
Deborah Kerr, Ava Gardner |
|||
Homecoming |
1948 |
6 |
Mervyn LeRoy |
Lana Turner, Anne Baxter |
|||
Command Decision |
1948 |
6 |
Sam Wood |
(none) |
|||
Any Number Can Play |
1949 |
6 |
Mervyn LeRoy |
Alexis Smith |
|||
Key to the City |
1950 |
5 |
George Sidney |
Loretta Young |
|||
To Please a Lady |
1950 |
5 |
Clarence Brown |
Barbara Stanwyck |
|||
Across the Wide Missouri |
1951 |
4 |
5 |
William A Wellman |
María Elena Marqués |
||
Callaway Went Thataway |
1951 |
4 |
Norman Panama & Melvin Frank |
Dorothy McGuire |
|||
Lone Star |
1952 |
4 |
Vincent Sherman |
Ava Gardner |
|||
Never Let Me Go |
1953 |
5 |
Delmer Daves |
Gene Tierney |
|||
Mogambo |
1953 |
6 |
John Ford |
Ava Gardner, Grace Kelly |
|||
Betrayed |
1954 |
6 |
Gottfried Reinhardt |
Lana Turner |
|||
Soldier of Fortune |
1955 |
Edward Dmytryk |
Susan Hayward |
||||
The Tall Men |
1955 |
Raoul Walsh |
Jane Russell |
||||
The King and Four Queens |
1956 |
6 |
6 |
Raoul Walsh |
Eleanor Parker |
||
Band of Angels |
1957 |
5 |
4 |
Raoul Walsh |
Yvonne de Carlo |
||
Run Silent, Run Deep |
1958 |
6 |
Robert Wise |
Mary LaRoche |
|||
Teacher's Pet |
1958 |
6 |
George Seaton |
Doris Day |
|||
But Not for Me |
1959 |
Walter Lang |
Carroll Baker |
||||
It Started in Naples |
1960 |
5 |
Melville Shavelson |
Sophia Loren |
|||
The Misfits |
1961 |
7 |
John Huston |
Marilyn Monroe |
Totals
Hal - Rated (60) Average (5.22)
Dee - Rated (13) Average (5.23)
Last updated: 21 Dec 2008
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